Anamorphic Pro 2 2 – Professional Lens Blur Tool Photoshop

• Anamorphic Pro 2 2 – Professional Lens Blur Tool Photoshop Brushes
• Anamorphic Pro 2 2 – Professional Lens Blur Tool Photoshop Cs2
• Anamorphic Pro 2 2 – Professional Lens Blur Tool Photoshop Cs6

How To Create A Lens Dust Photoshop Action Effect. Ate your own custom Lenses that can be used in both Snap Camera and Snapchat!If you're new to Lens Studio, check out Lens Studio's Getting Started guide. The Lens Studio Templates offer great starting points for creating different types of Lenses. For a cinematic lens flare effect, you can try using an anamorphic lens. Anamorphic lenses are specific for movie cameras and usually are not compatible with DSLRs or mirrorless cameras. But you can use a thread filter to fit an anamorphic lens on top of your regular lens. Different anamorphic lenses produce a variety of lens flares.

Check out another of my videos: 'BREAKDOWN: Select and Mask vs. Refine Edge - Photoshop CC' - Check.

1. Anamorphic Pro is a professional lens blur tool. Now you can edit iPhone Portrait Mode photos on your Mac. Anamorphic Pro turns your ordinary photos into cinematic masterpieces. Integration with the Mac Photos app makes it easy to edit your portrait shots.
2. Introduction to Blur Tool In Photoshop. Blur tool, as the name suggests is primarily used in Photoshop to create blur effect for pictures by manipulating the pixel values, contrast and sharpness, which is helpful for refining an image at a final stage, rectifying minor imperfections, and for creating a contrasting appearance to objects and it is evident that the blur tool is employed to.

In this tutorial, you'll learn how to add a lens flare effect to an image in Photoshop without making any permanent changes to the original photo by using layers and layer blend modes!

We'll start by learning how to add lens flare, and position it exactly where we need it, using Photoshop's Lens Flare filter. Then, to keep things non-destructive, we'll undo the effect, add a new layer, and then instantly re-apply the Lens Flare filter using a handy shortcut!

Finally, we'll use the power of layer blend modes to easily blend the lens flare into the image, and finish off by adjusting its colors to better match the colors in the photo. We'll also apply some blurring to soften the lens flare and help it look more realistic.

For best results, you'll want to apply the lens flare effect to an image that has the light source actually visible in the photo, whether it's the sun, a studio light, or whatever the case may be. Here's the image I'll be working with (family on beach at sunset photo from Shutterstock):

Here's how it will look after adding the lens flare. The important thing to note is that the lens flare and the photo are completely separate from each other, so if I change my mind later and decide I don't like it, I can easy remove the lens flare and revert back to the original image:

Let's get started!

How To Add Lens Flare In Photoshop

I'm using Photoshop CC here but this tutorial is also fully compatible with Photoshop CS6. For earlier versions of Photoshop, check out my original Non-Destructive Lens Flare Effect tutorial.

Step 1: Apply The Lens Flare Filter

The first thing we need to do is add a lens flare the way we normally would if we were applying it directly to the image itself. Even though we're going to be undoing the effect, this gives us a chance to position the lens flare exactly where we want it. To add the lens flare, we'll use Photoshop's Lens Flare filter. Go up to the Filter menu in the Menu Bar along the top of the screen, choose Render, and then choose Lens Flare:

This opens the Lens Flare dialog box. Photoshop's Lens Flare filter adds a simulated lens flare effect to the image, and we can choose from one of four different types of lenses (50-300 mm Zoom, 35mm Prime, 105mm Prime, and Movie Prime) in the Lens Type section in the lower left. Each one will give the effect a different look. You can try them out by selecting them and seeing what each one looks like in the image preview area. I'm going to stick with the default 50-300mm Zoom lens. You can also adjust the brightness of the lens flare by dragging the Brightness slider left or right, but again, I'll stick with the default 100%.

To position the lens flare where you want it, simply click inside the preview area. The spot you click on becomes the center of the flare, indicated by the little target symbol. You can also click and drag to move the flare around. To keep the effect looking as realistic as possible, you'll want to place the target symbol over the light source in your image, which in my case is the setting sun:

When you're happy with how things look, click OK to close out of the dialog box. Photoshop will then apply the effect to your image. Here's what my initial lens flare looks like:

The only problem is that we've applied the lens flare directly to the image itself, and that makes it a destructive edit because we've made permanent changes to the original photo. It's much better to work non-destructively whenever possible, keeping the image and the effect separate from each other. Let's see how we can apply the lens flare non-destructively by taking advantage of Photoshop's layer blend modes.

Step 2: Undo The Lens Flare

Now that we know exactly where we want the lens flare to appear, let's undo the effect by going up to the Edit menu at the top of the screen and choosing Undo Lens Flare. Or, use the handy keyboard shortcut Ctrl+Z (Win) / Command+Z (Mac). Either way works:

Step 3: Add A New Blank Layer

We're going to re-apply the Lens Flare filter, but this time, we'll apply it on its own separate layer. First, let's add the layer. Press and hold your Alt (Win) / Option (Mac) key on your keyboard and click the New Layer icon at the bottom of the Layers panel:

This opens the New Layer dialog box where we can name the new layer before it's added. Name the layer 'Lens flare' (no need to get creative), then click OK:

Photoshop adds a new blank layer named 'Lens flare' above the original photo that's sitting on the Background layer: Openvpn 3 mac.

Step 4: Fill The New Layer With Black

Tipard video converter platinum 3 8 31. Photoshop won't allow us to apply the Lens Flare filter to a blank layer, so we need to fill the layer with a color. To do that, we'll use Photoshop's Fill command. Go back up to the Edit menu at the top of the screen and this time, choose Fill:

This opens the Fill dialog box. Set the Contents option at the top to Black (*in Photoshop CS6 and earlier, the Contents option is named Use). Filling the layer with black will make it easy for us to blend the lens flare in with the photo, as we'll see in a moment:

Click OK to close out of the dialog box, at which point Photoshop fills the 'Lens flare' layer with solid black, temporarily blocking the original photo from view:

Step 5: Re-Apply The Lens Flare Filter

Now that the layer is no longer blank, we can re-apply our Lens Flare filter. Photoshop remembers all of the settings we used for the filter the last time we applied it, including the flare's position, so all we need to do is re-apply it using those exact same settings, and Photoshop gives us a couple of shortcuts we can use to do that.

First, the last filter we applied will always appear as the first option at the top of the Filter menu. To quickly re-apply the lens flare, just go up to the Filter menu and you'll find Lens Flare at the very top of the list. Click on it to re-apply it with the same settings as before. Or, an even faster way to re-apply the last filter you used is to simply press Ctrl+F (Win) / Command+F (Mac) on your keyboard:

The same lens flare appears in the same position as before, but this time on the 'Lens flare' layer rather than on the image itself:

Step 6: Change The Layer Blend Mode To Screen

All we need to do now is hide all of that solid black on the layer and blend the lens flare into the image below it, and we can do that easily by changing the 'Lens flare' layer's blend mode from Normal to Screen. You'll find the blend mode option in the upper left of the Layers panel:

With the blend mode set to Screen, all of the black on the layer disappears, leaving only the lens flare itself:

Since the lens flare is now on a separate layer above the image, we can turn it on and off by clicking the layer's visibility icon (the eyeball). Click it once to turn the lens flare off. Click it again to turn it back on:

Step 7: Adjust The Color Of The Lens Flare

You can adjust the colors in your lens flare so they better match the colors of your image. First make sure you still have the 'Lens flare' layer selected in the Layers panel. Then go up to the Image menu at the top of the screen, choose Adjustments, then choose Hue/Saturation: https://tvnewline.weebly.com/wondershare-allmymusic-2-4-0-download-free.html.

This opens the Hue/Saturation dialog box. Dragging the Hue slider left or right will shift the colors in your lens flare as if you're rotating them around a color wheel. Choose colors that are a good match for your photo. In my case, the lens flare already contains some nice reds and oranges that work well, but I'll drag the Hue slider a bit to the right to shift the colors more towards yellow:

Click OK when you're done to close out of the dialog box. Here's my result after adjusting the colors. In this case, the difference is fairly subtle:

Step 8: Apply The Gaussian Blur Filter

The only problem remaining is that the edges of the lens flare look too sharp, so let's soften them by applying some blurring. We'll use Photoshop's Gaussian Blur filter. Go up to the Filter menu at the top of the screen, choose Blur, then choose Gaussian Blur:

Drag the Radius slider along the bottom of the Gaussian Blur dialog box towards the right. The further you drag the slider, the more blurring you'll apply to the lens flare and the softer it will appear. Keep an eye on your image as you drag the slider to judge the results since the amount you need will depend on the size of your image. In my case, a Radius value of around 12 pixels works well:

Click OK when you're done to close out of the Gaussian Blur dialog box. Here's my result:

Step 9: Adjust The Intensity Of The Lens Flare (Optional)

Finally, there's a couple of ways that we can adjust the intensity of the lens flare depending on whether you need to increase or decrease its brightness. If you're already happy with the way things look, you can skip this last step, but if you find that your lens flare is too bright, you can reduce its intensity by lowering the opacity of the 'Lens flare' layer. You'll find the Opacity option in the upper right of the Layers panel, directly across from the blend mode option. The more you lower the opacity value from its default 100%, the more the lens flare will fade into the image:

Here's the result after lowering the opacity to around 80%. The lens flare is now less visible:

Or, if you find that your lens flare isn't bright enough, there's an easy way to make it brighter, and that's by duplicating the 'Lens flare' layer. I'll set my Opacity value back to 100%:

To duplicate the layer, go up the Layer menu at the top of the screen, choose New, then choose Layer Via Copy. You can also press Ctrl+J (Win) / Command+J (Mac) on your keyboard to duplicate the layer with the faster shortcut:

Photoshop adds a copy of the 'Lens flare' layer above the original:

With two lens flare layers now in the document, both set to the Screen blend mode, the effect becomes much brighter. In fact, it's now too bright:

I really only needed it to be a little brighter, not a lot brighter, so to reduce its intensity, I'll lower the opacity of the 'Lens flare copy' layer all the way down to around 20%:

And with that, we're done! Here, after lowering the opacity, is my final lens flare effect:

And there we have it! That's how to easily add lens flare to an image without harming the original photo using a combination of the Lens Flare filter and the non-destructive power of layers and layer blend modes in Photoshop! Check out our Photo Effects section for more Photoshop effects tutorials!

When you are shooting with a good camera and lens and the aperture is wide open, you can create a nice depth of field effect. This is used in portraiture photography. You know the look, it's that prized, soft, out of focus background with the nice sharp subject. Then there are lights in the background, they turn into little sound disks, called light Bokeh (bo-kah). This is easily achieved in camera, if you have good enough gear. If you don't have a nice DSLR camera, or you have an existing photography that you want to add production value, this tutorial will show you how to achieve this soft/out of focus effect in photoshop.

How to Add Bokeh to a Photo and Blur Background in Photoshop Tutorial

I'm going to show you how to create that soft dreamy background with this photograph. We have some of these little circles going on which is known as bokeh, but I'm going to make it much more pronounced and much more romantic. This is the kind of thing that usually would be achieved by using a very shallow depth of field and a very wide open aperture on the camera.

The first thing we're going to do is cut these people out, and then, there's a little trick I'm going to show you so we don't get the fringing around the edges which usually happens when you blur the background, and then, we're going to create this bokeh effect.

1. Cutting out the subject

Why don't we start off by just cutting them out quickly with the Quick Select Tool. Grab that Quick Select Tool and move it over the areas you need to select. Daylife 1 0 0. Hold the Alt key or the Option key to remove from the selection.

2.

It's looking pretty good, but I just want to check my selection. Hit the Q for Quick Mask, to view in Quick mask. You are checking for areas left out. It's looking not bad at all. Press Q to exit quickmask.

3.

Choose the Select and Mask right now, and I'll give it a little bit of radiance just to make it look better, and clean it up a little bit. We're going to choose the new layer with a layer mask option.

4.

We've got them cut out

5.

Hide the top layer and select the bottom to see this as the background. So here's the thing that happens; When people do a simple blurring of the background like this, notice this fringing we get around the edges there? You can see it's almost like a halo effect or a doubling effect there. Hit the Cancel right there and let me show you a better way.

6. Prepping the background

Fs 1 5 3 – note manager duties and responsibilities. Here's how we can do to eliminate this problem. With the background still as the active layer, Ctrl click on the layer mask to make a selection.

7.

Choose Select, Modify, and expand this by 1 pixel, and then, choose Select, Modify, and feather it by 1 pixel. This is just creating a softer edge than just that hard edge.

8.

Use Content Aware Fill. Hide the top layer so you can see what we are doing.

Press Shift + Delete on Mac, (Shift + Backspace on Windows), to bring up the Fill dialog box. Make sure you select Content Aware, and then, just click okay. You can see we got this kind of ghosting effect, but that's all we need to make sure we don't get those colors bleeding around the edges when we blur it later on.

9.

Turn the top layer back on. We're almost there.

10. Making the Bokeh blur

Now, we want to create a soft blurred background, but we want to really enhance this bokeh in the background that comes from the lens, and that gives it that really nice romantic look. And that also makes it look like it was shot with a much more expensive lens.

So let's make sure the background is selected, then we're going to choose Filter>Blur Gallery>Field Blur

We're doing this here inside of Photoshop CC/CS6. Now, the Blur Gallery was added in Photoshop CS6, (if you have an earlier version, just use the Blur>lens Blur, and you're going to get a similar result.)

The Field Blur, is where we create a depth of field effect by applying two points normally. We're just going to keep this single point create a blur. Right now, we're at about a 15 blur and we really want to bring this effect out. It takes a little bit of experimentation to get it just right.

11.

Start with Light Bokeh and we're just going to move it up a little bit until we start to see some of that bokeh effect. Perkin elmer wallac victor 1420 multilabel manual. Okay, it's starting to happen, but it's not very clean yet.

Play around with the Light Range. We're going to actually clamp it down, and so we bring the white triangle in. Bring the black a bit more and, have these almost on top of each other to get the effect we're looking for.

12.

Let's increase the blur; there we go, and notice, this changes the size of the round disks.

This is just really a balancing act of just playing around with the Light Bokeh, Light Range and Blur.

If we hide the top layer for a second and look at our background, notice it's beautiful and seamless because we used that Content Aware Fill, there's no fringing or anything around there, and so we've been able to create that effect just like that.

So if we'll look at it before and after, you can see how much more dreamy and romantic this photograph is.

Related Resources:

How to cut out a person with quick select and refine edge (CS5-CC)

Extracting hair in Photoshop (CC)

Anamorphic Pro 2 2 – Professional Lens Blur Tool Photoshop Brushes

Masking impossible images in Photoshop (all versions)

Anamorphic Pro 2 2 – Professional Lens Blur Tool Photoshop Cs2

Thanks so much for checking out this tutorial. The CAFE is so full of free resources, you should check them all out. I'm adding at least one new tutorial every week!

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Anamorphic Pro 2 2 – Professional Lens Blur Tool Photoshop Cs6

Colin